V&A Competition entries

Greetings Bwoshsucklers and welcome to a new plog bost (I think I’d better quit with the spoonerisms for everyone’s sake) I’m calling you swashbucklers and it’s a blog post. I think we are on the same page now.

Basically, I need somewhere to dump illustration work from past projects for the purpose of entering the V&A Illustration competition. It’s completely free so any of you fellow illustrators out there, why not give it a go?

I only came to know about this competition when a lovely lady from far off lands who happened to be adorned with the same surname as me made contact enquiring whether we might be related. I have no idea but she is a new member of the crew. Argghh, a new shipmate! I don’t think that we would have to search that far back to find that we are related as the name Catling comes from Catlin and so with the G being a later addition we are talking more recent history. How recent I don’t know but I really must look into this. Anyway, my lovely long-lost relative is being very supportive and informed me of the competition. So I immediately thought I could submit this…

…or this or…

…this or even…

…this, but no. The entries have to have been published in 2018. Darn, if only I had known sooner. So, here come the 2018 published illustrations. 

The cover to How Bear Lost his Tail in it’s raw condition.
How Bear Lost his Tail in it’s published condition.

How Bear Lost his Tail, internal illustration
 A Pirate Christmas in it’s raw condition.

 A Pirate Christmas as published

There are more but I’ll leave it at that. Happy sailing and may your boots fill with treasure.

The Commission

It’s always great to hear about a new illustration commission… sorry, potential commission. Eggs, after all are not chickens so there is no point in counting them. Unless you want to make an omlette in which case counting eggs makes sense so go ahead but…ummmmm I don’t remember the illustration commission having much to do with eggs so I think I’ve become a little lost. Back to the point. I was informed of a potential commission from a well known publisher. The project sounded great and I wanted to do it but wait, what about the other projects? You mean the other 3 projects that I’m working on giving me no time to take on a fourth? Yes, that’s right. Those projects. Bum! It’s always the way. You stack up a bunch of projects and then a real dinger comes along and there is no room. What do you do? Say yes and slowly watch your life fall apart?Once I would have said a big NO to it due to a full schedule but I have since learned of the fickle nature of book publishing. Projects slide and slip and fall down holes never to be seen again. Somehow I would shoe-horn that project even if I had to beg, plead and blub to get those publishers to move some of their deadlines. A big YES and time to burn some graphite!90770_Boo_a_Bog_coverSo, the publisher wanted a sample for which they would pay. Yep, that’s the quality we are talking about here. None of those shifty, street corners Spivs asking for a free favour, “Won’t take you long mate, good for you portfolio.” This is the real deal. So the first thing I needed to ask was which of my work had inspired them to consider me? That would give me some idea of the look they are after. The Boo-a-bog character in the image above was what they had seen and liked. My main problem then was getting the Boo-a-bog out of my head so that I could draw a new monster. Plenty of scribbling ideas did the trick and I eventually produced the characters below. TheMonster

Unfortunetely, this commission didn’t happen for me. The schedule would have been a problem and instead of lamenting a lost project I would have been gibbering over how much sleep a human really needs.

So, did I learn anything from this experience?

Ummmm… no.

I have no idea why I didn’t get the project, that comes down to the editors and author and their preferences. If I had got the project then I may have leared something about the foolhardy scheduling of an optomistic idiot. However, since I didn’t learn that then I will be shoe-horning my shedule again.

Geeky freaky

Friday, 11 March 2016

It really is about time I actually posted stuff about what I am doing currently. I don’t usually post about the work that I am doing since I am usually too busy doing it. So now I have stopped being too busy working so that I might post about what I’m doing instead of doing it. Feel free to ask questions.

So, what am I doing.Well. among other projects I am working for a US publisher on a series of creepy freaky books. That’s not what they are called but I have no idea how much I am allowed to say pre-publication so I’ll remain enigmatic.

Shown here are the pencil roughs and the final ink versions.

This project is proving a particular favourite of mine. The freedom of the briefs allow my inner geek (some might say that it’s not very `inner’) to run wild. There are of course more illustrations in the books than I am showing here, otherwise they would be stupidly short books but trust me, my inner geek has stripped naked, screamed pathetically and run head-on into the full potential of this project.

Happy days.

The adventures of a pirate illustrator  

Living and working as a pirate illustrator is a fine thing indeed. There’s the life on the Spanish Main, the bags of cutlasses, the doubloons, drawing, painting. Some might timidly suggest that not everything about my career is entirely true. I do draw and paint so there is an end to it!

My cutlasses and pencils are sharp and my pistols and brushes loaded ready for whatever project I wish to pursue, cannonade and board. A recent project was a series of books that came under the collective title of Igor’s Lab of Fear.

Igor’s Lab of Fear is a series of books of which I was given the job of illustrating the final four. The previous illustrator was unavailable but had managed to illustrate the covers so my brief was to produce the internal illustrations. My contact at the Publisher was a lovely enthusiastic lady shipmate who was very encouraging and offered just the right amount of brief with plenty of freedom. It made a change to have a project where I was not warned against scaring the children but instead encouraged to do so. A fine thing for a pirate! The illustrations were all to be black and white and the creepier the better. I thoroughly enjoyed myself with evil creatures and disconcerting compositions but three books along and communication with the lady shipmate at the publisher went rather quiet. She had promised to send the manuscript for the fourth book but time passed and nothing came. It’s at times like this that a pirate illustrator has to think about tides and sailing times. Another project was looming and my porthole of opportunity getting smaller. Eventually I was contacted by someone from the publisher who was sending through the brief and asking when I would be able to complete. Well, time had run out and I was now sailing a different sea. I had to explain the situation and hopefully they understood that despite being a pirate it was none of my piratey escapades that was at fault here. But what happened to my lovely shipmate at the publishing house? Did she move on to new horizons or was she a victim of the stories? I figure that most stories in books are based on truth and those involved in the production of scary stories are going to be facing the dangers that those stories tell of. Being a fearsome pirate illustrator, I face these dangers and emerge with barely a scratch but some poor souls are lost. Perhaps people should stick to writing pleasant costume dramas with afternoon tea and doyleys. It’s much safer.

More adventures of a pirate illustrator.


Living and working as a pirate illustrator, I can understand that I may seem intimidating and so perhaps you wouldn’t think me to be the first choice for a young children’s book. The opposite is true. The harsh beardy exterior, the sharp cutlasses, the bangy pistols are… well… well frankly they are frightening. So…

Onto other things


In 2016 I had the joy and privilege to illustrate a book written by Lucy Owen, a presenter for BBC Wales and a true piratey shipmate. Lucy had written a simple and engaging text that deals with some of the conflicting emotions and fears that most children experience. This kind of insight into the issues of childhood may be the memories of Lucy’s own childhood or the understanding that she has gained from the children that she knows, but either is truly admirable. As a pirate my range of emotions are limited to ‘Wow, that treasure be shiny’ and ‘Ow, you goatbeard! Your cutlass hurts’.
But this project is not just a book but a cause. The royalties from the sales of Boo-a-bog in the park published by Gomer go to the Noahs Ark Children’s Charity.

When a text doesn’t attempt to dominate the pages of a book, plentiful space is left for an illustrator to shout, sooth, explode and reassure in character, shape and colour. I had great fun doing exactly that and I hope that people will enjoy reading Boo-a-bog in the park as much. If you come from foreign parts and prefer to read Boo-a-bog in Welsh or you simply would rather not understand the book allowing it to remain a complete mystery then that option is available too. If you do prefer the latter option, you are obviously insane and qualified to join my crew.

Once the book was complete and had been duplicated by a large number of midget pirate illustrators, Gomer asked if I would attend the Boo-a-bog in the park book launch which would take place at the Noah’s Ark children’s hospital in Cardiff. My pirate ship was in dry dock for caulking so another mode of transport would be needed. I decided on the Landlubbers railway system. Apparently, from the south coast of England a train will travel directly to Cardiff, no changes. What happened to London? I’m not complaining but I thought that all trains went through London. If I so much as nipped to the local Coop for some teabags, then I’m sure that London would be involved somewhere. Did London leave when it heard about Brexit? Is it on the continent pretending to be the capitol of Belgium? Who knows.

The book launch was a fantastic event and I was able to meet all involved with this great project. Lucy, her husband Rhodri and son Gabriel were all wonderful as was everyone else that I met there who came to support the launch. Noahs Ark Children’s hospital was an outstanding achievement of fundraising by the charity and I had the delight of meeting some of those that are benefiting as well as those amazing people that work at the hospital. The event was a great success and fun was had by all with much book signing, TV interviews etc etc.